Opening Night on the Lido

The Venice Film Festival kicked off Wednesday on the Lido, with George Clooney receiving a lifetime achievement award and Danny Boyle premiering his film "Ink," which follows Rupert Murdoch's acquisition of the British tabloid The Sun in 1969, as reported by multiple outlets including the Associated Press.

Clooney, described in several reports as a 65-year-old festival mainstay, received the Golden Lion for Lifetime Achievement at the opening ceremony. The tribute was delivered by actress Laura Dern, who appeared with Clooney in "Jay Kelly," which premiered in Venice last year, according to PerthNow.

Festival artistic director Alberto Barbera explained the decision to honor Clooney, telling the Associated Press: "We decided to give him a Golden Lion because in a way he suffers from his own image, you know the seductive man, an image of beauty and so on." Barbera added that "sometimes people forget that he is a great actor, one of the greatest actors at the moment and a great filmmaker."

'Ink' Opens the Festival

Boyle's "Ink" was selected as the festival's opening film, telling the story of how Rupert Murdoch and editor Larry Lamb transformed The Sun into a powerhouse of British tabloid journalism, as reported by PerthNow. The film stars Guy Pearce as Murdoch and Jack O'Connell as Lamb, and is an adaptation of James Graham's acclaimed play, according to the Associated Press and WDIV ClickOnDetroit.

Boyle, known for "Trainspotting" and "Slumdog Millionaire," told the AP earlier this year that he made "Ink" in the same way he made "Trainspotting"—with limited money but a committed ensemble. "For actors to do that, they have to hang around a lot," Boyle said. "It's all very well talking about ensemble pieces but ensemble means them hanging around a lot so that they can pop in." He added: "I haven't learned a great deal in 30 years and that's probably a good thing."

"Ink" is one of 21 films competing for the Golden Lion, the festival's top prize.

A Geopolitical Lineup

The festival, which runs through September 12, features a lineup heavy on geopolitics, with documentaries addressing the conflict in Gaza, Elon Musk, and independent Russian journalists covering the war in Ukraine, as well as Palestinian films and a short about S. Immigration and Customs Enforcement in Minneapolis, according to the Associated Press.

The main competition's only documentary is "Naza," about Israeli forces' killing of civilians in Gaza, directed by Yuval Abraham and Rachel Szor, who won an Oscar for 2024's "No Other Land," which documented Israel's displacement of a Palestinian community in the West Bank, as reported by The Straits Times.

Barbera told AFP that it was essential that what is happening in Gaza and the Middle East is talked about through film. "There are no fewer than four films that deal with the Palestinian issue and the current situation in Iran, so there can be no doubt about where we stand on this matter," he said.

The festival also includes "Musk," a documentary by Alex Gibney about Elon Musk, which Musk has called a "hit piece." Gibney has described the film as an "unvarnished" look at the entrepreneur, according to The Straits Times.

Other Competition Highlights

Other notable films in the main competition include "Wild Horse Nine," from director Martin McDonagh, featuring John Malkovich and Sam Rockwell as CIA agents; Florian Zeller's psychological thriller "Bunker," starring Penélope Cruz and Javier Bardem as a married couple; Werner Herzog's "Bucking Fastard" with Kate and Rooney Mara; and Lance Oppenheim's "Primetime," which involves Robert Pattinson, as reported by the Bangkok Post and The Straits Times.

PerthNow reported that "Primetime" stars Pattinson as real-life journalist Chris Hansen, whose NBC series "To Catch a Predator" used hidden cameras to confront suspected sex offenders.

Ellen Burstyn, 93, will receive a Golden Lion on Monday for a career spanning six decades, and will play a fictionalised, ageing Marilyn Monroe in Maggie Gyllenhaal's short film "Flesh Impact," according to the Bangkok Post.

Oasis Documentary and Gallagher Brothers

The Disney-produced documentary "Don't Look Back in Anger," out of competition, covers Oasis's 2025 comeback tour and the reconciliation of brothers Liam and Noel Gallagher. Festival organizers have promised the Gallaghers will appear on the red carpet for the premiere on September 5, as reported by The Straits Times.

Controversy Around 'DAU'

The festival also includes Ilya Krzhanovsky's "DAU," a multi-year film project about Soviet physicists, which has drawn criticism from Ukraine's government. According to The Straits Times, Ukraine said the film was "linked to the Russian state and its influence networks." Krzhanovsky issued a rebuttal, calling the assertions "factually incorrect" and noting he had renounced his Russian citizenship in protest at the war with Ukraine. "DAU is not an instrument of Russian state cultural policy. It is an artistic statement about the nature of totalitarian evil," he wrote on Facebook.

Women Directors in Competition

The festival has drawn attention to the fact that only one film directed by a woman is among the 21 competing for the Golden Lion. Barbera told the Associated Press: "It's a big problem, of course. I'm completely aware of the fact that there is a lot to do to give women the place that they deserve in cinema." He explained that while organizers saw many interesting films from women and programmed many in the festival's sidebars, they did not find films strong enough for the main competition. Barbera said the festival is on the side of women in their battle for equal representation.

A Shift Away from Hollywood Blockbusters

The Straits Times reported that big Hollywood premieres, a hallmark of Venice in recent years, are largely absent, with studios preferring to launch films through their own controlled events. Barbera told the AP that most films seen during selection dealt with "contemporary problems." "We didn't really have a choice," he said. "We are in a space open to everybody for discussion, for confrontation. Everybody is completely free to express themselves. And I'm, in a way, really happy that this kind of film could help the viewers, the critics, everybody to have a better understanding of what is going on in our contemporary, difficult world."