Lead
Two significant archaeological discoveries from the First Temple period have been announced in Jerusalem within the past week, shedding new light on ancient craftsmanship and the destruction of the city in 586 BCE. The Israel Antiquities Authority (IAA) revealed the finds at separate excavations in the Old City and the City of David, each offering rare insights into life and catastrophe during the biblical era.
Coverage Comparison
The Jerusalem Post reported both discoveries in separate articles published on July 20 and July 27, 2026, both written by Miriam Sela-Eitam. The earlier article described the unearthing of massive wooden beams charred by the fire that destroyed the First Temple, while the later article detailed the discovery of a rare Judean Pillar Figurine mold. Both reports rely on official announcements from the IAA and include quotes from excavation directors and specialists involved in the projects.
Key Claims
Charred Beams in the City of David
According to the Jerusalem Post, archaeologists from the IAA and Tel Aviv University discovered the burnt beams inside a building that had collapsed in the fire that accompanied the Babylonian conquest of Jerusalem in 586 BCE. The First Temple, built by the biblical King Solomon, was destroyed by Nebuchadnezzar II, the second king of the Neo-Babylonian Empire, as reported by the Jerusalem Post.
The beams, which appear to have served as the roof of an inner courtyard in a First Temple-period building, were preserved for approximately 2,600 years. IAA Excavation Director Efrat Bocher explained that plaster melted off the building's walls during the fire, sealing the wood beneath it and protecting it from decay.
Dr. Johanna Regev of the IAA, who is studying the beams, highlighted the rarity of the find. "It is very rare in Israel to find wood with such a large number of growth rings," she said. "Here, in the City of David, we found thick beams with many rings, offering significant research potential, with more growth rings enabling higher dating resolution." Regev added that the precision of dating could improve dramatically: "Until now we could date finds within a range of hundreds of years. Now we can attain much greater precision, narrowing the dating range down to as little as ten years."
The excavation directors, including Dr. Yiftah Shalev, who directs the excavation on behalf of the IAA alongside Professor Y. (as named in the report), noted that Jerusalem's returning residents likely made a deliberate decision to preserve the memory of the destruction by leaving behind remains that tell the story of the catastrophe. "The concept of a landscape of memory is familiar from many cultures around the world," Shalev explained.
Figurine Mold in the Old City
A rare Judean Pillar Figurine mold dating to the First Temple period was found during excavations in the Old City of Jerusalem, the IAA announced. It is the first mold of its kind ever found in Israel to produce such figures dating to that period, as reported by the Jerusalem Post.
The mold, used in antiquity to cast the face of a female figurine, was discovered within the Tower of David Museum during excavations ahead of construction of the new Schulich Wing for Archaeology, Art and Innovation. After its discovery, the mold was handed over to Tamar Gonen, a ceramics conservation and restoration specialist at the IAA, who cleaned the artifact and revealed its inner design of finely crafted facial features. Conservation and restoration specialist Sviatoslav Klindukhov then created a cast from an appropriate material, resulting in a full reconstruction of the face of a female figurine, displaying clearly defined features and an elaborate curly hairstyle.
The article also provided context on the three prominent types of First Temple figurines: female figurines, commonly known as Judean Pillar Figurines; those depicting a horse and its rider; and zoomorphic (animal) figurines, primarily representing horses. Made of clay, these figurines are often between approximately 10 and 20 centimeters high, typically covered in a white coating with traces of pigment indicating original painting in yellow, red, and black. The report noted that when discovered, these clay figurines are often found broken at the neck—a result of the manufacturing technique, in which the head and body were made separately by hand, while only the face was formed using a mold.